One of my favorite reads of 2017 was Grady Hendrix’s Paperbacks from Hell. Hendrix, the author of gimmicky Horrorstor and My Best Friend’s Exorcism, rounds up the best of cheesy, pulp horror from the 70’s and 80’s and presents them in all their insane glory. With a focus on mass-market paperbacks and their gorgeous, gory covers, Hendrix pays tribute to the underrated artists and authors whose work combines to offend, disgust, and delight the reader.
I’m just going to get this out of the way: The question of separating Art and Artist is never going to be answered to anyone’s satisfaction. Whether we dismiss the art completely, or grant it begrudging respect, or make just make exceptions for our favorite artists, we can draw lines in the sand all day long just to watch the next tide sweep them away.